Why do we hate our bodies so much?


Originally, I was going to entitle this post, Worship, Bodies, and the Economics of Self-Loathing. But, in the interest of readability and trying to seem less intense (and douche-baggy), I’ve changed this to the above title. But still, as that original title implies, there’s a lot here on this topic that I have to say–and may, at some point. But for now, I just wanted to give some musings and thoughts I’ve been having.

I went to a conference a couple of weeks ago put on by a group of artists called Bifrost Arts, and it was on “Liturgy, Music, and Space”. While there, I attended a workshop on the use of our bodies in worship. I was struck at the immense beauty that the Bible offers as it pertains to our embodiment. Our bodies are essential instruments in the worship and life of God. Heck, it’s essential to our very redemption as God Himself took on a body to save us.

And yet, very few of us engage our bodies in those most meaningful of spheres of life, especially when it comes to our spiritual existence. That blasted dualism of our world that elevates the “spiritual” above the “physical” pervades even those most passionate and dedicated of believers in Jesus. We often see our worship merely as a process of dropping immaterial ideas into our immaterial selves to help stir up immaterial emotional responses. And then we wonder why our embodied actions and obedience don’t follow. Could it be that we need to preach the Gospel to our bodies as well?

As I was thinking about this, I was forced to ask: Why do we hate our bodies so much?
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Derek Webb’s “Stockholm Syndrome” {“Freddie, Please” pt. II}


derekwebb.jpg

[TO ANYONE THAT COMES ACROSS THIS POST: there is updated information and another song on a later post.  All the songs found here are also there, in addition to the much anticipated song off the new record “What Matters More?”  Here’s the link for that post.]

It has been brought to my attention that yesterday’s post is already out of date. Apparently, there was a 12-hour window to download the song. I’ve received a couple of requests to make the music file available for download here. After much thought about the ethics of it all, I’m thinking that since Derek Webb did post it up for free, and he didn’t include any statement prohibiting this, I’ll go ahead and post a link to download it. If any representatives of Webb see this and want me to take this down, I’ll be glad to do so. I really want to support Derek in any way.

[UPDATE: Thanks to Shane Bertou for posting these other audio files up. In the article, he also has the so far assembled audio from the currently released “stems” that form Webb’s song that apparently is being referred to as “Stockholm Syndrome” for the time being.]

So on that note, here’s a link to download the new song “Freddie, Please” off of Derek Webb’s upcoming album “Stockholm Syndrome”, along with the other full songs that have been released so far:

“Freddie, Please” by Derek Webb

from Shane’s site:

“Heaven”

“The Spirit vs. the Kick-Drum”

Thanks to Angina Pectoris for bringing these other recordings to my attention.

Here are other sites concerning Webb and the album. Please visit these as well to support the artist and his craft.

Grace and peace.

Derek Webb’s new free song about Fred Phelps


Untitled[EDITOR’S NOTE:  there was apparently a 12- hour window in which to download this song.  That window having passed, I have made the song available on another post on this site.  Continue reading if you want the story behind the song. Click here for the article.]

If you don’t care about background, story, or mystery, and just want free music and lyrics, you can skip down to the asterisks.

Okay, for everyone else, there are two things you should know about that would really help you enjoy this post.  The first thing is who Fred Phelps is.  He’s the “pastor” of Westboro Baptist Church. This is the church that protests dead soldiers’ funerals with the signs reading “God hates fags.” Most of us Christians don’t like Fred Phelps at all.

Including Derek Webb.

Which brings me to the second thing you might want to know about. It is Derek Webb‘s recent “Lost-style” mystery/game/scavenger hunt/fake-controversy thing.  Long story-short: email’s went out to fans from Webb saying “my new album’s controversial, my label doesn’t like it, I’ll figure something out.”  These emails had a code in them which led to the discovery of a website, twitter account, and other strange things (type “kickdrum”, then look right under his left eye, go to the site, type “youneverknow”. This is what use to pop up.). The unofficial hub of speculation has become the comments section of this article on Patrol Magazine.

Anyway, through his site and twitter account, Webb puts out “instructions” (i.e. “scavenger hunt clues”) for various cities in the the country.  People find the clue, email the code to him, and he releases a zip file of small 1 or 2 second sound clips.  No one has any clue what these sound clips are for.  Supposedly you’ll be able to put them together, but with how long they’ve been so far, there won’t be enough audio for even one full song, much less an entire album.  This has been going on for a couple of weeks with people finding these parts and no major updates happening.

***Until today.***

About 45 minutes prior to me writing this post, Derek Webb posted on the Twitter account a couple of messages that when decoded read “redownload stem 2”.  When you do that on this site, inside the zip file is the first song released off of Derek’s new album “Stockholm Syndrome”.  [NOTE: The song can now be found here] It’s called “Freddie, Please” and it is all about Fred Phelps.  It’s a really good song and it makes me really excited about the rest of the album.  It’s not the now-infamous “sh*t” song that will be on the album, but it’s one of the other anticipated songs.  Every one of Webb’s albums has been a completely different style and it looks like he’s taking a more ambient/drum machine/lounge-techno/postal service-style approach to this album.

Anyway, the song pretty much justifiably kicks Fred Phelps in the face.  Best I can tell, it’s from the perspective  of Jesus asking Phelps “How could you tell them you love me when you hate me?”  In the song, Jesus affirms his love for those despised in the world and says that when Phelp’s is picketing these funerals he is in essence “picketing my grave for loving the things you hate.”

Good for you, Derek.  So go download stem 2 at www.ParadiseIsAParkingLot.com and listen to this great song.  [NOTE: the song is no longer there. Instead, go here to download the song] Here are the lyrics:

Freddie, Please

Freddie, please
how could you do this to me?
How could you tell them you love me
when you hate me,
Freddie, please?

You know I’ll love you honey,
and i’ll bleed you dry with money
I’ll talk where I know you can hear.
Cause Freddie can’t you see,
brother, you’re the one who’s queer?

And the stone’s been rolled away
but you’re picketing my grave
for loving the things you hate.

Then why do you seek the living among the dead?

Freddie?