Frank Budgen’s illustration of Proteus from James Joyce and the Making of Ulysses
Well, I made it through the chapter that’s famous for keeping people from progressing further through James Joyce’s Ulysses. And boy, let me tell you: this chapter is a trip.
The narrative of the chapter is incredibly straightforward. Stephen Daedalus walks down a beach on his way to drop off a letter. Along the way, he sees a dead dog on the beach, watches a gypsy couple meander towards him with their dog sniffing and exploring, and then he either imagines or witnesses the recovery of a dead body from the water. That’s it.
And yet, in these pages we find an intoxicating writhing of language in its theme, content, style, and technique. The chapter becomes more like a sense memory, larger than the sum of its parts, but also hazy in its exact contours.
Stephen & Proteus
As I wrote a couple of days ago, I’m blogging my way through James Joyce’s Ulysses, trying to give a layperson’s perspective on the chapters in an attempt to demystify it a bit. I previously wrote about Chapter 1, and how it’s incredibly straightforward. However, in Chapter 2, I’m starting to see the subtle storytelling shifts that he book is known for.
I’ve known that Chapter 3 is the sandtrap that gets a lot of readers stuck. It is a full-blown stream-of-consciousness sensory overload in the mind and perspective of Stephen Daedalus. Every thought, observation, and fantasy run together in a constant flow.
Well, I’ve done it. I’ve finally started Ulysses by James Joyce. I’ve done a deep dive into preparatory materials, I’ve talked to those that have taken this journey before, and I’ve read the books that inform the background of this one. And now that I’ve jumped in and finished the first chapter….
I’m feeling pleasantly over-prepared.
As part of my current deep dive into James Joyce’s magnum opus Ulysses, I attended much of the Bloomsday celebrations at The Rosenbach Museum and Library. They live-streamed the entire thing, which you can find on their Facebook page, but I want to post here my favorite part. And no, you don’t have to have read ANY of the book to understand or enjoy this. Also, there aren’t really any “spoilers” of the plot. Ulysses isn’t really that kind of book….
Anyway, here are the performances of the last two chapters–the “Ithaca” and “Penelope” sections, specifically. The first is narrated in a Samuel-Beckett-ish question-and-answer format, like a religious catechism, and it is hilarious. The second is the end of the book when, for the first and only time, the main characters wife, Molly Bloom, takes over the narration as we enter her stream of consciousness while she tries to get to sleep. The performance of Drucie McDaniel is powerful, moving, funny, and poignant. You owe it to yourself to watch this in full. Happy Bloomsday!
Finally starting to tear into Ulysses. I’m finding it not nearly as intimidating as it’s made out to be. But there are many more pages to go. If you want to join me in the reading, check out the reading helps and plan.
This Summer, some friends of mine and I will be reading through James Joyce’s Ulysses–a mid-century modernist juggernaut that’s considered by many to be the greatest novel in the English language–and I want to invite all of you to join us. Feel free to pass this post (and its accompanying Google Doc) to anyone and everyone you think might be interested. You can purchase the book here.
The Bloomsday 2019 Kick-Off
Ulysses is at it most basic level, about one 24-hour period on June 16th, 1904 in the life of Leopold Bloom. For book nerds, that calendar day has subsequently been dubbed “Bloomsday”. Here in Philadelphia, there is a library and museum called The Rosenbach which has one of the only complete manuscripts ofUlysses, handwritten by Joyce. Every June 16th they throw a massive day-long block party celebrating Irish culture and James Joyce.
Our little reading group will begin on Bloomsday 2019, and we invite anyone in or near Philadelphia to come to The Rosenbach to party. We’ll then read through the book and, for those interested and able, we’ll occasionally meet in various Irish cafes and pubs around Philly to talk about the book. I’ll also try and blog a bit through the book here.
If you want to be added to an email list for info on the readings and meetings, you can do that on this form. You need not be in the Philadelphia area to join us.